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RED V-RAPTOR XL [X] 霸王龍X SKU 710-0394 電影機(jī) 全域快門 3540萬(wàn)像素 8K120P 4K240P
¥ 359999.00元
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裝箱清單:
- 1x V-RAPTOR XL [X] 8K VV (V-Lock) Body
- 1x V-RAPTOR XL PL Mount
- 1x V-RAPTOR XL PL Mount Shim Pack
- 1x RED AC Power Adaptor Pack 270W
- 1x 3-Pin XLR-to-4-Pin 2B Power Cable (10')
- RED Logo Sticker
- V-RAPTOR XL [X] Information Card (incl. registration and support info)
- 2 Year Standard Warranty
AMAZING IMAGE, ENHANCED ON-SET EXPERIENCE
V-RAPTOR? XL [X] 8K VV combines the strengths of RED’s two families of cameras into one powerful all-purpose workhorse. The frame rates, lowlight performance, and resolution of the V-RAPTOR line combined with the global shutter advancements of KOMODO?, the V-RAPTOR [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED’s newest 8K VV sensor, V-RAPTOR XL [X] leverages the benefits and flexibility of large format, global shutter, high framerate, 8K acquisition, all inside of a large-scale-production ready XL camera body.
TOOLS OF THE TRADE
V-RAPTOR XL [X] is designed to support high-end motion picture and television productions as well as any filmmaker who would benefit an all-in-one solution.
- Dual voltage battery support offers compatibility with a wide range of common batteries found on set today, both 14 V batteries and high voltage 26 V V-Lock or Gold Mount options.
- Built-in electronic ND allows cinematographers to precisely select their density in 1/4, 1/3, and full stop increments, providing never before seen exposure and depth of field control inside a cinema camera of this level.
- 12 V and 24 V auxiliary power outputs allows camera assistants to power all the peripherals needed to do their job from one centralized place.
- Front facing 3G-SDI and 2-Pin 12 V power, as well as compatibility with the DSMC3 RED Touch 7.0” LCD, supports any camera operators viewing preference.
- Wireless timecode, genlock, and camera control, as well as four SDI outputs support the DIT, giving them access to everything they need at their cart.
- Improved in-camera audio performance for run and gun single system audio setups.
Additionally, the V-RAPTOR XL [X] and the DSMC platform features advanced connectivity solutions which enable applications such as remote control and monitoring, in-camera Frame.io integration, AWS direct upload, RED? Connect for live 8K R3D video over IP or live 4K over SMPTE ST 2110, and more.
GLOBAL VISION
V-RAPTOR XL [X] 8K VV is pushed to new limits with the introduction of RED Global Vision, a new suite of tools that use the global shutter sensor to provide even more flexibility and ease of use throughout the production process. Global Vision’s Extended Highlights allows the camera to see even further into highlight detail, providing more detail for HDR finishes, or softer and more subtle highlight roll-off for SDR. RED Global Vision also includes Phantom Track to streamline any Virtual Production environment employing GhostFrame? or Frame Remapping, capturing distinct R3D clips per each sub-frame slice, as well as allowing for monitoring of either slice live on-set over each SDI.
V-RAPTOR? XL [X] 8K VV
SENSOR TYPE | V-RAPTOR? [X] 8K VV 35.4MP Global Shutter CMOS | |||
---|---|---|---|---|
EFFECTIVE PIXELS | 8192 x 4320 | |||
SENSOR SIZE | 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) | |||
DYNAMIC RANGE | 17+ stops | |||
BUILT-IN ND | Motorized clear filter and precision controlled electronic ND filter Electronic ND minimum density 2 stops, maximum density 7 stops Electronic ND selectable increments of 1/3 stops, 1/4 stops, and 1 stop | |||
MOUNT TYPE | Interchangeable Lens Mount, Included V-RAPTOR XL PL Mount (Shimmable) Optional V-RAPTOR XL Locking Canon EF Mount Physically compatible with DSMC Lens Mounts, but does not provide electronic communication or control | |||
MEDIA TYPE | CFexpress Type B | |||
BATTERY TYPE | Integrated Dual Voltage 14/26 V V-Lock battery interface | |||
MAX DATA RATES | Up to 800 MB/s using RED branded or other qualified CFexpress media cards1 | |||
REDCODE? RAW MAX FRAME RATES | 120 fps at 8K 17:9, 150 fps at 8K 2.4:1 140 fps at 7K 17:9, 175 fps at 7K 2.4:1 160 fps at 6K 17:9, 200 fps at 6K 2.4:1 192 fps at 5K 17:9, 240 fps at 5K 2.4:1 240 fps at 4K 17:9, 300 fps at 4K 2.4:1 320 fps at 3K 17:9, 400 fps at 3K 2.4:1 480 fps at 2K 17:9, 600 fps at 2K 2.4:1 | |||
PLAYBACK FRAME RATES (PROJECT TIME BASE) | 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions | |||
BEST AVAILABLE REDCODE? SETTINGS | REDCODE HQ, MQ, LQ, and ELQ at 8K 17:9 up to 60 fps REDCODE LQ and ELQ at 8K 17:9 up to 120 fps REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 up to 96 fps REDCODE MQ, LQ, and ELQ at 6K 17:9 up to 160 fps REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 up to 240 fps REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 up to 480 fps | |||
REDCODE? RAW ACQUISITION FORMATS | 8K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x 7K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x 6K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x 5K 17:9, 2:1, 2.4:1, 16:9, 1:1 4K 17:9, 2:1, 2.4:1, 16:9, 1:1 3K 17:9, 2:1, 2.4:1, 16:9, 1:1 2K 17:9, 2:1, 2.4:1, 16:9, 1:1 | |||
APPLE PRORES | Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K (4096x2160) 120P Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P. | |||
CONSTRUCTION | Aluminum Alloy | |||
DIMENSIONS | 200.81 mm x 151.38 mm x 165.9 mm / 7.9 in. x 6 in. x 6.5 in. (LxWxH, largest fixed dims.) | |||
WEIGHT | 7.99 lbs / 3.62 kg (V-Lock with PL Mount) | |||
DC POWER INPUT | 19.5-34 V via 4-Pin 2B DC-IN | |||
OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) | |||
STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) | |||
STORAGE RELATIVE HUMIDITY | 0% to 85% non-condensing | |||
RED GLOBAL VISION | Extended Highlights capability to capture more detail and color in extreme dynamic range scenarios. Phantom Track recording mode to capture multiple LED instances as dedicated clips. | |||
COLOR MANAGEMENT | Image Processing Pipeline 2 (IPP2) Supports 33×33×33 3D LUTs Supports import and adjustment of CDLs | |||
AUDIO | Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz Integrated dual channel mic/line/+48V input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz 3.5mm stereo headphone port | |||
AUTOFOCUS | Phase Detect with Face Detection | |||
IP CONNECTED | Compatible with the RED Connect Module for live 8K R3D video over IP or live 4K over SMPTE ST 2110 Dual band Wi-Fi (2.4 GHz or 5 GHz) for wireless camera control, live preview, and direct Camera to Cloud workflow via Frame.io or Amazon S3 Wired control via USB-C or 9-Pin Gigabit Ethernet for remote camera control, live preview, direct Camera to Cloud workflow and high speed remote media offload | |||
POWER OUTPUTS2 | Regulated 12 V Outputs 2x P-TAP Connectors (3AMP Combined) 1x Rear 2-Pin 0B (3 AMP) 1x Rear 2-Pin 0B (1.5 AMP) 1x Front 2-Pin 0B (1 AMP) Regulated 24 V Connectors 2x Front 3-Pin Fischer (3 AMP Combined) | |||
MONITOR OUTPUTS | Proprietary Top Accessory Port for Monitoring and Control 3x 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes (SDI 1/2/3) 1x 3G-SDI with 3G-SDI and 1.5G-SDI modes (EVF) 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio | |||
MONITOR OPTIONS | DSMC3 RED Touch 7.0” LCD RED Compact EVF with DSMC3 Adapter A IP streamed 1080p live preview wirelessly or wired via USB-C or Ethernet. Integrated 2.4" LCD for camera control (no preview video) | |||
ADDITIONAL I/O | Tri-Level Genlock via BNC Linear Timecode (LTC) through 5-Pin 0B PTP and remote camera access via 9-Pin 0B GIG-E RCP2 Camera Control via 4-Pin 00B CTR Wireless Genlock and Timecode via integrated Ambient Communication Network (ACN) | |||
RED CONTROL & RED CONTROL PRO | Access full camera controls and live preview from iOS or Android devices Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location. Standard app available from the Apple App Store and Google Play Store. RED Control Pro available via Apple App store only and requires additional purchase. RED Control works wirelessly or wired via USB-C |
1. For more information on compatible accessories, go to red.com/third-party-accessories
2. High voltage power source required.
Tech specs reflect both current and projected information. Everything is subject to change.
常用配件
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